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Faivovich & Goldberg


Since 2006, Guillermo Faivovich (1977, Buenos Aires) and Nicolás Goldberg (1978, Paris) have been engaged in an intensive and wide-ranging research project—A Guide to Campo del Cielo—that forms the basis of their practice. Campo del Cielo is located in northern Argentina and was the site of a meteor shower about 4,000 years ago. Faivovich & Goldberg combine the roles of scientist, historian, anthropologist, and even bureaucrat, to conduct projects that suggest new ways of seeing and experiencing the terrestrial results of a long ago cosmic event, as well as thinking about its historical and cultural significance. For over a decade, the duo has produced a diverse body of work, laboriously mining the particularities of a singular event, Faivovich & Goldberg illuminate broadly resonant themes: the dynamics between an object and its documentation, the inherent complexities of institutional histories, and the complicated personal, cultural, and national relationships that develop with artifacts.

Some of Faivovich & Goldberg’s latest projects are El Mataco (Museo Histórico Provincial de Rosario Julio Marc, 2019), Mesón de fierro: Towards the XXII Century (Naciones Unidas, Viena, 2019), In search of Mesón de Fierro (Naturhistorisches Museum, Vienna, 2018), Decomiso (ASU Art Museum, Arizona, 2018), Un meteorito para la Sociedad Científica del año 2105 (U-Turn, ArteBA, Buenos Aires, 2018), Número 11 Gwangju Biennal (Korea, 2016), The San Juan Mass of Campo del Cielo en la Colección Guerrico (Museo Nacional de Bellas Artes, Buenos Aires, 2014), The weight of uncertainty (Documenta 13, Kassel, 2012), Los hoyos del Campo del Cielo y el meteorito (Fondazione Merz, Turin, 2011), Meteorit "El Taco” (Portikus, Frankfurt, 2010). They have also developed presentations and presented conferences in University Torcuato Di Tella, Buenos Aires (2018), Thyssen-Bornemisza Art Contemporary, Vienna (2017), Museo de Arte Latinoamericano de Buenos Aires (2017), Dia Art Foundation, New York (2013), and the Massachusetts Institute of Technology, Cambridge (2011). They live and work in Buenos Aires.

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exhibitions

¡Saxa loquuntur!
02.12.2022

Having moved on from the administrative aesthetic and their flirtation with the bureaucracy of classification and organization of meteorite materials, ¡Saxa loquuntur! finds Faivovich & Goldberg taking the concept of the archive to an esoterically suggestive extreme. 

publications

Creo haber contestado a todo lo que has preguntado. Faivovich & Goldberg. Spiral Jetty, Buenos Aires. 2016

La caza del Snark. Faivovich & Goldberg. Polígrafa, Barcelona. 2014

Artists on Walter De Maria. Aldrich, Dunning, Faivovich & Goldberg, Winters. Dia Art Foundation, New York. 2017

The Campo del Cielo Meteorites - Vol. 1: El Taco. Faivovich & Goldberg. Hatje Cantz, documenta (13), Alemania. 2010

The Campo del Cielo Meteorites - Vol. 2: Chaco. Faivovich & Goldberg. Walther Koenig & documenta (13), Alemania. 2012




News

El gusanito by LOLO Y LAUTI

16.05.2025 Lolo y Lauti transform El gusanito, Jorge de la Vega’s cult LP, into a contemporary opera starring singer and performer Daiana Rose, who performs the songs in their original order, immersed in the duo’s visuals.

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Colección Malba en Qatar

21.04.2025 Artworks by Alejandra Seeber, Matías Duville, and Mónica Giron are part of the Malba Collection and were included in Latinoamericano, the first major exhibition of Latin American art in the Western Asia and North Africa region at the National Museum of Qatar in Doha.

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MONDONGO en ArtHaus

15.04.2025 “Argentina”, monumental 15-panel installation, and a first transformation of the chromatic arrangement of “El Baptisterio de los colores” by Mondongo are on view at ArtHaus.

Exhibitions

Mueble escultura + BARRO

05.04.2025 [...] We might regard this exhibition as a choreography of situations that explore ways of being, sitting, posing and moving. A kind of theater of thwarted utility. Furniture as an animal: not a tool, but a mutant organism.In these shifts, the body becomes a central hypothesis: not a passive recipient of design but an unstable variable that energizes and transforms the material.Excerpt from Ana Vogelfang's text for Mueble escultura + BARRO. Until May 16, 2025.

News

GIRON y CANVAS at Museo Sívori

04.04.2025 Mónica GIRON and Nacha CANVAS participate in the group exhibition El aire vacilaba a su alrededor. Artistas latinoamericanas y sus poéticas del mundo, curated by Sofía Dourron. The exhibition proposes a reflection on how the notions of space, territory, and landscape are modulated by our bodies and, in turn, how our bodies are shaped by the environments that surround them.

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MUEBLE ESCULTURA + BARRO

04.04.2025 Group Show. Francisco Alvarez, Nicanor Aráoz, Lucas Barbuzzi, Nacha Canvas, Martín Churba, Juan Cruz, Max Degli, Leopoldo Estol, Nacho Fabio, Camila Fanego Harte, Samantha Ferro, Tomás Fracchia, Nicolás García Uriburu, Gyula Kosice, Cervio Martini, Jorge Michel, Marta Minujín, Kayen Montes & Alison Bartlett, Rocio Nerón Coiro, Nacho Novillo, Mónica Sartori, Juan Jose Souto, Maria Clara Tipitto & Santiago Bouzat, Gregorio Vardanega, Victoria Young. Curated by: Lucila Garcia de Onrubia y Cinthia Kazez. Opening April, 5. Caboto 531 La Boca, Buenos Aires

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CHAILE At the 14th Mercosul Biennial

27.03.2025 Rubbing the thumb and middle finger to produce a quick noise that expands in space brings together the human body, movement, transience, and sonic matters.  At the 14th Mercosul Biennial, this title – "Estalo" – is an invitation to inhabit the movement and the transformation from one state to another. Chaile presents his Centro Cultural Ambulante, a performance projects in constant development since 2021, in Porto Alegre.

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La Chola at CARA

15.03.2025 In Continents like seeds we can see how Poblete’s practice complicates how social and cultural identities are claimed, contested, or imposed without seeking resolution, but rather by opening conversations about life and transformation beyond inscribed territories. At CARA New York, until August 2025

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Canvas presents Premio Azcuy

14.03.2025 Canvas, winner of the 2023 Premio Azcuy, inaugurated her Suave Star project, created for the Donna Fiore building with technical and curatorial advice from the Azcuy studio and the Buenos Aires Museum of Modern Art. "My proposal was to work with concrete as a cross-cutting axis in the project. To take this element and make it work in the architecture, art, and spatial design," in the artist's words.

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LIONTI at MALBA

14.03.2025 Fabril la mirada is Lucrecia Lionti's first solo show in a museum, curated by Carla Barbero and featuring an installation created especially for the exhibition. Fabril la mirada does not seek to reaffirm the telluric values of craft, but instead to confront its visual and ethical aspects.

BARRO ARTE CONTEMPORANEO
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