Since 2006, Guillermo Faivovich (1977, Buenos Aires) and Nicolás Goldberg (1978, Paris) have been engaged in an intensive and wide-ranging research project—A Guide to Campo del Cielo—that forms the basis of their practice. Campo del Cielo is located in northern Argentina and was the site of a meteor shower about 4,000 years ago. Faivovich & Goldberg combine the roles of scientist, historian, anthropologist, and even bureaucrat, to conduct projects that suggest new ways of seeing and experiencing the terrestrial results of a long ago cosmic event, as well as thinking about its historical and cultural significance. For over a decade, the duo has produced a diverse body of work, laboriously mining the particularities of a singular event, Faivovich & Goldberg illuminate broadly resonant themes: the dynamics between an object and its documentation, the inherent complexities of institutional histories, and the complicated personal, cultural, and national relationships that develop with artifacts.
Some of Faivovich & Goldberg’s latest projects are El Mataco (Museo Histórico Provincial de Rosario Julio Marc, 2019), Mesón de fierro: Towards the XXII Century (Naciones Unidas, Viena, 2019), In search of Mesón de Fierro (Naturhistorisches Museum, Vienna, 2018), Decomiso (ASU Art Museum, Arizona, 2018), Un meteorito para la Sociedad Científica del año 2105 (U-Turn, ArteBA, Buenos Aires, 2018), Número 11 Gwangju Biennal (Korea, 2016), The San Juan Mass of Campo del Cielo en la Colección Guerrico (Museo Nacional de Bellas Artes, Buenos Aires, 2014), The weight of uncertainty (Documenta 13, Kassel, 2012), Los hoyos del Campo del Cielo y el meteorito (Fondazione Merz, Turin, 2011), Meteorit "El Taco” (Portikus, Frankfurt, 2010). They have also developed presentations and presented conferences in University Torcuato Di Tella, Buenos Aires (2018), Thyssen-Bornemisza Art Contemporary, Vienna (2017), Museo de Arte Latinoamericano de Buenos Aires (2017), Dia Art Foundation, New York (2013), and the Massachusetts Institute of Technology, Cambridge (2011). They live and work in Buenos Aires.
Having moved on from the administrative aesthetic and their flirtation with the bureaucracy of classification and organization of meteorite materials, ¡Saxa loquuntur! finds Faivovich & Goldberg taking the concept of the archive to an esoterically suggestive extreme.
Faivovich & Goldberg. En Búsqueda del Mesón de Fierro. TBA21, septiembre 2017
Florencia Böhtlingk. Revista Jennifer, junio 2017
Himali Singh Soin on Faivovich & Goldberg. Artforum, verano 2017
Julia Villaro. Revista Ñ Clarín, febrero 2017
Sara Demeuse. Farewell to Nature. Art in America, marzo 2015
Carolyn Christov-Bakargiev. Press release. documenta(13), 2012
Graciela Speranza. El Chaco en Kassel, 2012
Claudio Iglesias. Suplemento Radar, Pagina/12, febrero 2011
Catrin Lorch on Guillermo Faivovich & Nicolás Goldberg. Artforum, febrero 2011
Portikus “Meteorit El Taco”. E-flux, septiembre 2010
03.02.2026 Woodgate is participating in the third edition of the Diriyah Contemporary Art Biennale, In Interludes and Transitions. Curated by Nora Razian and Sabih Ahmed. She is the only participant from Argentina and presents a new instance of The Source, a series of artworks taking the shape of site-specific water infrastructures. In Diriyah, UAE.
01.02.2026 A work by Gabriel Chaile will be exhibited for the first time at the Guggenheim Bilbao. The group show Artes de la tierra, curated by Manuel Ciruaqui, addresses the current state of the environment with a collection of works that refer to the soil as a substrate. Until May 3rd, 2026. Bilbao, Spain.
30.01.2026 Works by Martín Legón, Nicanor Aráoz and Marcelo Pombo are part of El orden imposible del mundo, at Fundacion Proa. Curated by Francisco Lemus, the group show brings together artworks that marked bold acquisitions by Argentine collectors.
27.01.2026 We are thrilled to announce the selection of Matías Duville to represent Argentina at the 61st International Art Exhibition of the Venice Biennial. The project chosen for the Argentine Pavilion is “Monitor Yin Yang”, curated by Josefina Barcia. From May 9 to November 22, 2026, Venice, Italy.
01.01.2026 The fifteen panels that compose Argentina, the landscape of Entre Ríos made from plasticine by the collective Mondongo, go on a national tour. The first stop is the Museo Municipal de Bellas Artes Juan B. Castagnino in Rosario, followed by a second stop at the Rawson Museum in San Juan through the end of March.
05.12.2025 Miami Beach, USA. BARRO presents works by Mondongo, La Chola Poblete, Alejandra Seeber, Pablo Reinoso, and Guillermo Kuitca in the fair’s Main Section. Convention Center, Florida.
08.11.2025 LA CHOLA POBLETE —En el aire— Curated by Antonio Villa. A film set, a stage, paintings and photographs of La Chola immerse us in the performance of her present as an artist. The sophisticated web of references and the spectacular mise-en-scène do not produce a single effect. It is a cocktail of quotes from an artist who is excessive for the extremes she touches, and exquisite for the abundance of cultured citations she weaves together.
24.10.2025 Mónica Giron presents TRUCO (trick – deceit – cunning – simulation), 2025, in collaboration with Antonio Panno. The work is part of the Cuenca Biennial, curated by Gustavo Buntinx. On view starting October 24 at the Municipal Museum of Modern Art and Casa de la Lira, in Cuenca, Ecuador.
09.10.2025 La Chola Poblete participates in the Bienal de Artes Mediales de Santiago as part of the exhibition "Zurcida" curated by Seba Calfuqueo. The project focuses on the body and its modifications, in relation to gender transition. Centro Cultural CEINA
10.09.2025 Alcindo Monteiro, a sculptural and performance work originally conceived for the Plaza del Carbón at the MAAT in Lisbon, is presented by Gabriel Chaile at "This is a Square" in Madrid. This is a collaboration between La Casa Encendida and BoCA.
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