Lucrecia Lionti
Cómo se puede vestir un cuerpo, 2022. Fabric, sleep wool, acrylic paint and metal estructure. 200 x 120 cms
Calendario Abstracto, 2021. Sheep and acrylic wool, pastel oil and fabric. 450 x 200 cms. ph Guido Limardo
School Skin números, 2020. Pastel oil, acrylic, gouache, sheep wool, thread, fabric. 400 x 110 cms
School Skin, 2020. Acrylic, gouache and pastel oil on paper. 60 x 85 cms
Doscientos días, 2020. Pastel oil, sheep and acrylic wool, lurex thread, fabric. 110 x 170 cms
Muertes con abstracciones (pinturas), 2019. Acrylic, gouache, pastel oil and Pencil on paper. 120 x 80 cms
Cafeteo y mosto tinto, 2019. Fabric, coffee and wine stains stains, ink, thread. 90 x 90 cms (each)
Paño de enero, 2019. Fabric, leather, thread, wool, ink, marker, acrylic paint, wood. 100 x 146 cms
Faro panóptico, 2019. Acrylic paint, graphite, marker, thread and fabric on wooden stretcher. 120 x 140 cms
Remera de cambio, 2019. Fabric and thread on wooden stretcher. 78 x 88 cms
Austeros y cuidadosos, 2018. Acrylic paint, pencil, fabric, thread, wool. 147 x 140 cms
Exaltar la economía, 2018. Fabric, felt, wool, thread. 183 x 166 cms
Manchas Abstractas, 2017. Fabric, snails, acrylic Paint, metal, plastic, thread, wool. 170 x 232 cm
Escala Blue, 2017. Fabric, acrylic wool, thread. 119 x 157 cms
Póvera Argentino, 2017. Acrylic Paint, fabric, thread, glass, aluminum foil. 31 x 42 cm
Pentagrama con flores azules, 2017. Fabric, thread, felt, paper, acrylic Paint, metal rings. 140 x 190 cm
Geometrías, 2016. Fabric, thread. 140 x 160 cms
Economía abstracta, 2015. Acrylic paint and shopping tickets on cardboard and wood. 17 x 22 cms
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Lucrecia Lionti (Tucumán, 1985) Her work consists of textiles, collages, drawings, paintings, objects and installations in which she often includes words and phrases related to the materiality, history or meaning with which they are constructed. She works with language, mixing idioms, formats, techniques and colors. She looks for materials of incongruent origins to put them in conjunction, some new ones with visual and conceptual particularities that contrast with older or worn out ones. She uses techniques such as two-needle knitting or crochet of slow and artisanal time together with faster machine stitching. In her pieces she reflects on the place where she lives, its history, its present, its economy, its institutions, its social classes, the context and the circumstances that accompany it, the forms of survival and the ups and downs of those feelings. She ironically links complex issues of reality with different movements in the history of art. She has a degree in Fine Arts from the National University of Tucumán 2003-2008, continued her training in Artists Program 2010 and Film Lab 2011 at Torcuato Di Tella University. She lives and works in Buenos Aires.
exhibitions
Intarsia, Jacquard y mi Ami Capital
25.06.2022
Lucrecia Lionti presents her first solo exhibition at Barro, Intarsia, Jacquard y mi Ami Capital, in which she condenses and unfolds a horizon of references and interests that she has been cultivating for years. Her work, attentive to the material conditions of contemporary art, to the discourses and context that surround it, but also to the affective universe of knowledge, techniques and minor formulas, contains intimate inflections and public commentaries on art, politics and economics.
links
Museo Moderno, "Lucrecia Lionti. Momentos de reflexión en plena obscuridad”. Museo de Arte Moderno de Buenos Aires, julio 2020
Museo UNT, “De lo multidisciplinar a lo experimental”. Canal Museo UNT, diciembre 2018
El Conti, "Lucrecia Lionti, Esto no es una muestra". Centro Cultural de la Memoria Haroldo Conti, enero 2017
Claudio Iglesias, "La dama vagabunda". Página 12, noviembre 2017
