30.11.2016 Arena Parking Public Installation in Collins Park. Curator Nicholas Baume. Artists: Magdalena Abakanowicz, David Adamo, Jean-Marie Appriou, Eric Baudart, Huma Bhabha, Yoan Capote, Claudia Comte, Matías Duville, Camille Henrot, Glenn Kaino, Alicja Kwade, Sol LeWitt, Wagner Malta Tavares, Tony Matelli, William J. O'Brien, Anthony Pearson, Norbert Prangenberg, Ugo Rondinone, Tony Tasset and Erwin Wurm.
12.11.2016 Buenos Aires, Argentina. Marcelo Pombo and Nicanor Aráoz participate in this edition. Distrito de las Artes, Arenas Studios, La Boca.
30.10.2016 Bogotá, Colombia. BARRO is to be present for the very first time at the International Art Fair of Bogotá. Taking part will be Matías Duville and Martín Legón with installation, collages and objects.
27.10.2016 Freedom Box from Diego Bianchi and Nicola Costantino. La Artefacta the film at "What Matters? ¿Qué cuenta? Was zählt?" in Schools of Art Vol. V / Oktogon - Hochschule für bildende Künste Dresden, Germany.
19.09.2016 Diego Bianchi fue invitado a dar un workshop destinado a artistas jóvenes en HfBK, Dresden, Alemania. Los resultados de la experiencia serán exhibidos en Senatssaal de la misma institución a fin de octubre.
19.09.2016 Nicanor Aráoz. Antología genética. Esculturas y estudios encadenados 2006—2016 will be open at the Sala de Exposiciones of the UTDT.The curatorial project was devised by Lucrecia Palacios, Alejo Ponce de León and Inés Katzenstein.
13.08.2016 Conceived by Florencia Cherñajovsky, stages a dialogue between historical works by two pioneering artists: Lynn Hershman Leeson and Kiki Kogelnik and new productions by artists both local: Nicanor Aráoz, Elena Dahn, and Fernanda Laguna; and foreign: David Douard and Rochelle Goldberg.
27.07.2016 Caza: Rochele Gomez, Margaret Lee, Alejandra Seeber is part of The Neighbors, a series of three small-scale, successive exhibitions of contemporary art organized by guest curator Sofía Hernández Chong Cuy for The Bronx Museum of Arts.
20.05.2016 Diego Bianchi. In an environment of division and powerlessness, where the objects of techno-capitalism emerge in all their toxicity, mathematical symmetry is the paradoxical form of democratic verification.
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