The work of the artist La Chola Poblete (Guaymallén, Mendoza, Argentina, 1989)includes watercolor paintings, oil landscapes, bread sculptures and iron structures, which build, not without tension and violence, a multi-part bidimensional installation that reproduces, in a key of denunciation and vindication, the dynamics of the cult. Taking up again the tools and formats around which she built her own language and iconography, La Chola intervenes in historical and contemporary imaginaries to explore the ambiguities and undefinable zones of the narrative of the past and the current political discourse. As if she knew that even in the stereotyping and exoticization of the original peoples, their mythical force survives, the artist uses her own body and invents her own mythograms, in graphic interventions that, between the delicacy of drawing and the power of branding, save not only their history, but also their desire for the present.
LA CHOLA POBLETE —En el aire— Curated by Antonio Villa. A film set, a stage, paintings and photographs of La Chola immerse us in the performance of her present as an artist. The sophisticated web of references and the spectacular mise-en-scène do not produce a single effect. It is a cocktail of quotes from an artist who is excessive for the extremes she touches, and exquisite for the abundance of cultured citations she weaves together.
Mercedes Ezquiaga, “La Chola Poblete conquista Berlín y se encamina hacia la Bienal de Venecia 2024” Infobae. Sep, 2023
Enzo Maqueira, “La Chola, la artista queer argentina que brilla en Europa”, Revista Viva. Mayo, 2022
Jessica Fabaro, “La Chola Poblete, la artista queer argentina que cautivó a la reina Letizia provoca con sus vírgenes en arteba”, TN. Octubre 2022
30.05.2026 The exhibition Segundas vidas, curated by SONIA BECCE, unfolds in two parts. The first room, featuring recent work by Analía Saban, marks the artist’s first solo exhibition in Buenos Aires in more than ten years. The second room features a new series of ARC (Animal Rug Company) works, a project that Agustina Woodgate began in 2010.
09.05.2026 Matías Duville presents Monitor Yin Yang, curated by Josefina Barcia, a site-specific installation that transforms the space into a traversable territory constructed with salt and charcoal. The project expands drawing into a spatial, sonic, and performative experience. Biennale di Venezia, Argentine Pavillion, until November 22, 2026.
05.05.2026 Nicanor Aráoz participates in the group exhibition Oscuridad visible: La larga sombra de la dictadura, organized by Museo Moderno of Buenos Aires to commemorate the 50th anniversary of the last military coup. Aráoz presents Glótica 3 (Argentina Brava Mix). At Spazio Punch, Venice, Italy.
01.04.2026 Gabriel Chaile presents his new solo exhibition, Archaeology of Memory, where he scavenges a variety of decorative and functional objects from the local area surrounding the Whitechapel Gallery, to be displayed alongside guardian adobe sculptures. Until September 6, 2026.
06.03.2026 La Chola Poblete: pop andino, is La Chola's first exhibition in Brazil. Curated by Adriano Pedrosa and Leandro Muniz, the exhibition brings together 31 works, including 14 watercolors from the iconic series Vírgenes cholas, exhibited at the Venice Biennale in 2024. At the São Paulo Museum of Art (MASP) until August 8, 2026.
04.03.2026 Madrid, Spain. Solo Show by Agustina Woodgate in the section “Profiles. Latin American Art” curated by José Esparza Chong Cuy.
03.02.2026 Woodgate is participating in the third edition of the Diriyah Contemporary Art Biennale, In Interludes and Transitions. Curated by Nora Razian and Sabih Ahmed. She is the only participant from Argentina and presents a new instance of The Source, a series of artworks taking the shape of site-specific water infrastructures. In Diriyah, UAE.
01.02.2026 A work by Gabriel Chaile will be exhibited for the first time at the Guggenheim Bilbao. The group show Artes de la tierra, curated by Manuel Ciruaqui, addresses the current state of the environment with a collection of works that refer to the soil as a substrate. Until May 3rd, 2026. Bilbao, Spain.
30.01.2026 Works by Martín Legón, Nicanor Aráoz and Marcelo Pombo are part of El orden imposible del mundo, at Fundacion Proa. Curated by Francisco Lemus, the group show brings together artworks that marked bold acquisitions by Argentine collectors.
27.01.2026 We are thrilled to announce the selection of Matías Duville to represent Argentina at the 61st International Art Exhibition of the Venice Biennial. The project chosen for the Argentine Pavilion is “Monitor Yin Yang”, curated by Josefina Barcia. From May 9 to November 22, 2026, Venice, Italy.
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